Sunday, November 24, 2013

Final pieces: Mixed Media Painting with Amie Oliver Fall 2013


Untitled #1,2,3,4 pieces by Hope Harding 6 x 6 inch Modeling paste/Acrylic/Found objects/Mixed Media




Untitled #5 and #6 by Hope Harding 6 x 6 inch Modeling paste/Fiber paste/Acrylic/Yarn/Textured wallpaper






Untitled # 7, 8, 9 10 pieces by Hope Harding 4 x 4 inches Acrylic/Modeling Paste/Gel/Fused Glass/String








Untitled #11 and 12 by Hope Harding 8 x 10 inches Acrylic/Mixed Media/Modeling paste






Untitled #13 by Hope Harding 8 x 10 inch Modeling paste/Acrylic/Mixed Media









Untitled #14 by Hope Harding 8 x 10  inch Modeling paste/Acrylic/Caran d'ache







Untitled # 15 and 16 by Hope Harding 5 x 7 inches Modeling paste/Gel paste/Acrylic






Untitled #17 by Hope Harding 5 x 7 inch Acrylic Wash/Matte Medium/Modeling paste
Side view of Untitiled # 17




Untitled #18 by Hope Harding 12 x 4 inch Glass/Acrylic/Modeling paste





Untitled #19 by Hope Harding 8 x 10 inch Acrylic/Modeling paste/Lint/String




Untitled #20 by Hope Harding 8 x 10 inch Acrylic/Modeling paste/Lint/Charcoal pencil




Untitled #21 by Hope Harding 8 x 10 inch Acrylic/Modeling paste/Metal/Chalk






Untitled #22 by Hope Harding 5 x 7 inch Acrylic/Fiber Paste/Matte Medium



5 comments:

  1. Im noticing, as I look at all your pieces together, that many of them are like fossils. They remind me of archeological finds. They seem to have so much history to them!

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  2. Artist Statement
    by Hope Harding suggestions below - consider editing any phrase included in ( )


    My process is instinctive, the materials guide me (what to do) each step of the way. (At first) I may begin putting down a preliminary surface and covering it with another, then scratching into it or wiping away only to start again. The textural surfaces become, in a sense, the most important part (of my pieces.) They bring me back to nature: the dusty earth, the wind against my skin or the smell of salt water in the air.


    As I explore multiple mediums and ways of applying as well as attaching them, I discover new things unfolding in my work. It becomes even more personal when I add a found object picked up along a walk or (on a) journey. The object is embedded forever into the painting, capturing a memory.


    I want people to be drawn in, to look closer and possibly want to touch the work (I) (in) hope (that) it evokes a familiar feeling or sense of place for them.

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  3. Hope, I found each of your pieces to be jewel-like. You have a knack for creating beauty and elegance...something I want to place under glass. Ironic, since I would love to "touch" them, as well. It's interesting that you characterized parts of my work as treasures, because I would use that word when describing your work. It is obvious that you love your process. It shows in your final product.

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